var g_txt=[
{t:" ",p:1,x:573,y:342,w:4,h:18},
{t:"“Lawmen and Out Laws”    Wild Bill Hickok  by  Cheryl Palmer ",p:1,x:220,y:361,w:582,h:26},
{t:" .",p:1,x:64,y:65,w:10,h:22},
{t:"Born May 27, 1837 in the ",p:1,x:204,y:410,w:195,h:18},
{t:"state of Illinois, near Troy ",p:1,x:204,y:429,w:195,h:18},
{t:"Grove, Jam",p:1,x:204,y:448,w:92,h:18},
{t:"es Butler ",p:1,x:308,y:448,w:103,h:18},
{t:"Hickok was number four of ",p:1,x:204,y:467,w:193,h:18},
{t:"six children.  His father, ",p:1,x:204,y:486,w:198,h:18},
{t:"William Alonzo Hickok, an ",p:1,x:204,y:506,w:193,h:18},
{t:"abolitionist, supported leg-",p:1,x:204,y:525,w:188,h:18},
{t:"islation prohibiting slavery.  ",p:1,x:204,y:544,w:198,h:18},
{t:"James grew up with the ",p:1,x:204,y:563,w:199,h:18},
{t:"same strong feelings on the ",p:1,x:204,y:582,w:193,h:18},
{t:"issue and often accompanied his father in the ",p:1,x:64,y:601,w:336,h:18},
{t:"wagon which drove run-away slaves to freedom ",p:1,x:64,y:621,w:333,h:18},
{t:"and the chance for a new life. At nineteen ",p:1,x:64,y:640,w:338,h:18},
{t:"Hickok joined the “Free State Army” and fought ",p:1,x:64,y:659,w:332,h:18},
{t:"in the border war in Kansas and Missouri.  After ",p:1,x:64,y:678,w:332,h:18},
{t:"the war he homesteaded 160 acres and built a ",p:1,x:64,y:697,w:335,h:18},
{t:"cabin on it which was destroyed by pro-slavery ",p:1,x:64,y:716,w:333,h:18},
{t:"advocates on the rampage. Hickok quarreled ",p:1,x:64,y:736,w:338,h:18},
{t:"with farmers and storekeepers which occasion-",p:1,x:64,y:755,w:328,h:18},
{t:"ally involved exchange of gunfire.  Conse-",p:1,x:64,y:774,w:327,h:18},
{t:"quently, he killed his first man, David ",p:1,x:64,y:793,w:344,h:18},
{t:"McCanles, was arrested, but pleaded self-",p:1,x:64,y:812,w:327,h:18},
{t:"defense and was released. ",p:1,x:64,y:832,w:176,h:18},
{t:"As a young man, Hickok drove freight wagons ",p:1,x:64,y:851,w:334,h:18},
{t:"and stagecoaches along the Santa Fe Trail.  He ",p:1,x:64,y:870,w:334,h:18},
{t:"fought in the Civil War as a civilian under Gen-",p:1,x:64,y:889,w:327,h:18},
{t:"eral Custer and they later became friends. He ",p:1,x:64,y:908,w:336,h:18},
{t:"had many close calls with death as a civilian ",p:1,x:64,y:927,w:336,h:18},
{t:"scout, spy, sharpshooter, and wagon master, and ",p:1,x:64,y:947,w:332,h:18},
{t:"soon earned the nickname, Wild Bill.  By the ",p:1,x:64,y:966,w:335,h:18},
{t:"end of the war, Bill’s reputation was well known ",p:1,x:64,y:985,w:332,h:18},
{t:"for bravery, loyalty, and skill with a gun.  He ",p:1,x:64,y:1004,w:335,h:18},
{t:"wasn’t afraid of anything and approached danger ",p:1,x:64,y:1023,w:332,h:18},
{t:"with reckless abandon. ",p:1,x:64,y:1042,w:156,h:18},
{t:"His first job at law enforcement was in Hays, ",p:1,x:64,y:1062,w:335,h:18},
{t:"Kansas.  From there he was appointed county ",p:1,x:64,y:1081,w:335,h:18},
{t:"sheriff in 1869.  Several self-appointed gunfight-",p:1,x:64,y:1100,w:328,h:18},
{t:"ers periodically showed up in town to have a ",p:1,x:64,y:1119,w:335,h:18},
{t:"look at Wild Bill Hickok and test their fast-draw ",p:1,x:64,y:1138,w:332,h:18},
{t:"skills on him.  Unfortunately, some of these as-",p:1,x:64,y:1157,w:328,h:18},
{t:"piring gunslingers ended up dead. ",p:1,x:64,y:1177,w:229,h:18},
{t:"In the case of Wild Bill Hickok, it is difficult to ",p:1,x:64,y:1196,w:333,h:18},
{t:"separate fact from fiction in many of the stories ",p:1,x:64,y:1215,w:333,h:18},
{t:"told of him. ",p:1,x:64,y:1234,w:82,h:18},
{t:"Nevertheless, Wild Bill Hickok did a good ",p:1,x:429,y:410,w:290,h:18},
{t:"job of keeping the peace in Hays, Kansas.  ",p:1,x:424,y:429,w:300,h:18},
{t:"The down side is that he killed many men ",p:1,x:424,y:448,w:296,h:18},
{t:"in the process, including three troopers ",p:1,x:424,y:468,w:300,h:18},
{t:"from the Seventh Cavalry.  That event put ",p:1,x:424,y:487,w:296,h:18},
{t:"him in jeopardy with General Sheridan; so, ",p:1,x:424,y:506,w:295,h:18},
{t:"he was discharged from his duties as a law ",p:1,x:424,y:525,w:295,h:18},
{t:"enforcement officer. He went on to become ",p:1,x:424,y:544,w:294,h:18},
{t:"marshal of Abilene, Kansas, a bend-in-the-",p:1,x:424,y:563,w:290,h:18},
{t:"road town wilder than Hays.  Hickok went ",p:1,x:424,y:583,w:295,h:18},
{t:"everywhere heavily armed with two Colt ",p:1,x:424,y:602,w:298,h:18},
{t:"revolvers, a derringer tucked in his pants ",p:1,x:424,y:621,w:297,h:18},
{t:"and a rifle or sawed-off shotgun cradled ",p:1,x:424,y:640,w:298,h:18},
{t:"over one arm.  He hired a deputy to help ",p:1,x:424,y:659,w:296,h:18},
{t:"him and they patrolled the streets of Abi-",p:1,x:424,y:678,w:290,h:18},
{t:"lene together until one night when Hickok ",p:1,x:424,y:698,w:295,h:18},
{t:"accidentally shot his partner, mistaking ",p:1,x:424,y:717,w:301,h:18},
{t:"him for an outlaw.  He was so distraught ",p:1,x:424,y:736,w:297,h:18},
{t:"over what he had done, he gave up law ",p:1,x:424,y:755,w:298,h:18},
{t:"enforcement, left Abilene, and never wore ",p:1,x:424,y:774,w:296,h:18},
{t:"a badge again. ",p:1,x:424,y:793,w:100,h:18},
{t:"Wild Bill Hickok tried his hand at show ",p:1,x:424,y:813,w:298,h:18},
{t:"business for a short time traveling with ",p:1,x:424,y:832,w:299,h:18},
{t:"Buffalo Bill’s Wild West Show as a sharp-",p:1,x:424,y:851,w:290,h:18},
{t:"shooter, and then eventually moved to ",p:1,x:424,y:870,w:301,h:18},
{t:"Cheyenne, Wyoming where he took up ",p:1,x:424,y:889,w:300,h:18},
{t:"gambling for a living.  While there he mar-",p:1,x:424,y:908,w:290,h:18},
{t:"ried Agnes Lake on March 5, 1876.  They ",p:1,x:424,y:928,w:295,h:18},
{t:"honeymooned two weeks in Cincinnati, ",p:1,x:424,y:947,w:300,h:18},
{t:"Ohio before Bill headed west to seek gold.  ",p:1,x:424,y:966,w:299,h:18},
{t:"He never saw his wife again. ",p:1,x:424,y:985,w:196,h:18},
{t:"His final stop in his journey through life ",p:1,x:424,y:1004,w:297,h:18},
{t:"was at Deadwood City, South Dakota ",p:1,x:424,y:1023,w:302,h:18},
{t:"where he located gold claims for prospec-",p:1,x:424,y:1043,w:290,h:18},
{t:"tors, intermingled with drinking and gam-",p:1,x:424,y:1062,w:290,h:18},
{t:"bling. ",p:1,x:424,y:1081,w:42,h:18},
{t:"One night, when Wild Bill was ",p:1,x:739,y:410,w:248,h:18},
{t:"playing cards and sitting with his ",p:1,x:739,y:429,w:245,h:18},
{t:"back to the door in his favorite ",p:1,x:739,y:449,w:247,h:18},
{t:"saloon in Deadwood City, notori-",p:1,x:739,y:468,w:238,h:18},
{t:"ous Jack McCall entered the room ",p:1,x:739,y:487,w:244,h:18},
{t:"and shot Wild Bill in the back of ",p:1,x:739,y:506,w:245,h:18},
{t:"the head. ",p:1,x:739,y:525,w:64,h:18},
{t:"The legend that has remained is ",p:1,x:739,y:544,w:247,h:18},
{t:"that Bill slumped over the table, ",p:1,x:739,y:564,w:247,h:18},
{t:"holding a pair of aces and a pair of ",p:1,x:739,y:583,w:242,h:18},
{t:"eights in his hand.  This combo ",p:1,x:739,y:602,w:246,h:18},
{t:"became known as “the dead man’s ",p:1,x:739,y:621,w:243,h:18},
{t:"hand”. ",p:1,x:739,y:640,w:48,h:18},
{t:"Continued Page 3 ",p:1,x:795,y:659,w:130,h:18},
{t:"JUNE 11, 2010 ",p:1,x:797,y:789,w:104,h:18},
{t:"FRIDAY 5:00 PM ",p:1,x:784,y:814,w:129,h:18},
{t:"“AN EVENING WITH THE ",p:1,x:741,y:838,w:216,h:18},
{t:"COWBOYS” ",p:1,x:801,y:857,w:95,h:18},
{t:"Music with Dave Stamey ",p:1,x:751,y:882,w:197,h:20},
{t:"Cowboy Poet Gary Robertson ",p:1,x:732,y:908,w:234,h:20},
{t:"BBQ Dinner ",p:1,x:798,y:935,w:102,h:20},
{t:"5:30pm—7:00 pm ",p:1,x:779,y:962,w:139,h:20},
{t:"Host beer and wine ",p:1,x:771,y:988,w:156,h:20},
{t:"Wine tasting by ",p:1,x:786,y:1015,w:125,h:20},
{t:"Lucan and Lewellen ",p:1,x:768,y:1036,w:162,h:20},
{t:"Vineyards ",p:1,x:808,y:1056,w:81,h:20},
{t:"Western Artist ",p:1,x:792,y:1083,w:115,h:20},
{t:"Joe Milazzo ",p:1,x:801,y:1103,w:96,h:20},
{t:"Author Bill Reynolds ",p:1,x:766,y:1130,w:166,h:20},
{t:"$45.00 ",p:1,x:823,y:1157,w:52,h:20},
{t:"Tom Peterson ",p:1,x:792,y:1183,w:114,h:20},
{t:"569 0731    737 1619 ",p:1,x:775,y:1210,w:148,h:20},
{t:"info@carriagemuseum.org ",p:1,x:743,y:1237,w:212,h:20},
{t:"Page 2 ",p:2,x:76,y:64,w:36,h:12},
{t:"APRI",p:2,x:869,y:64,w:24,h:12},
{t:"L  20",p:2,x:898,y:64,w:23,h:12},
{t:"10 ",p:2,x:928,y:64,w:18,h:12},
{t:"Alexander F. Harmer ",p:2,x:435,y:87,w:169,h:22},
{t:"“…eulogist of the beauties of the world.” ",p:2,x:356,y:115,w:326,h:22},
{t:"By William Reynolds ",p:2,x:436,y:144,w:166,h:22},
{t:"That phrase aptly describes a special person ",p:2,x:87,y:184,w:287,h:18},
{t:"in the history of early California and va-",p:2,x:87,y:203,w:282,h:18},
{t:"quero art.  They were spoken by Alfred ",p:2,x:87,y:222,w:291,h:18},
{t:"Douglas Harmer about his beloved father, ",p:2,x:87,y:241,w:289,h:18},
{t:"and only begin to introduce the artistic and ",p:2,x:87,y:259,w:287,h:18},
{t:"social contributions made by Alexander ",p:2,x:87,y:278,w:293,h:18},
{t:"Harmer an artist considered to be the first ",p:2,x:87,y:297,w:288,h:18},
{t:"important painter of the West and a leader ",p:2,x:87,y:316,w:288,h:18},
{t:"in California’s art community of the late ",p:2,x:87,y:334,w:291,h:18},
{t:"1800s and early 1900s Harmer was a pio-",p:2,x:87,y:353,w:283,h:18},
{t:"neer in the portrayal of not only the ",p:2,x:87,y:372,w:294,h:18},
{t:"“fantasy” of the West but of its reality with ",p:2,x:87,y:391,w:287,h:18},
{t:"his depiction of the plains and its indige-",p:2,x:87,y:409,w:283,h:18},
{t:"nous people.  But his most popular contri-",p:2,x:87,y:428,w:282,h:18},
{t:"bution must lie within his collected works ",p:2,x:87,y:447,w:289,h:18},
{t:"that celebrated the memories and visions of ",p:2,x:87,y:466,w:287,h:18},
{t:"the people and ways of early California. ",p:2,x:87,y:484,w:258,h:18},
{t:"Harmer was born in 1856 in Newark, New ",p:2,x:87,y:528,w:288,h:18},
{t:"Jersey and joined the army at a too-young ",p:2,x:87,y:547,w:289,h:18},
{t:"age by lying to the military, this so he could ",p:2,x:87,y:565,w:287,h:18},
{t:"take part in the Indian wars of the 1870s - ",p:2,x:87,y:584,w:288,h:18},
{t:"at the age of sixteen, he found he needed to ",p:2,x:87,y:603,w:287,h:18},
{t:"be at least twenty in order to enlist. Even ",p:2,x:87,y:622,w:289,h:18},
{t:"then he listed his occupation as painter and ",p:2,x:87,y:640,w:287,h:18},
{t:"even though he planned to fulfill his five–",p:2,x:87,y:659,w:283,h:18},
{t:"year enlistment, he requested to be dis-",p:2,x:87,y:678,w:283,h:18},
{t:"charged after only one year in order to at-",p:2,x:87,y:697,w:283,h:18},
{t:"tend the Philadelphia Academy of Fine ",p:2,x:87,y:715,w:293,h:18},
{t:"Arts. In 1874, after already being recog-",p:2,x:87,y:734,w:283,h:18},
{t:"nized as having significant talent, he started ",p:2,x:87,y:753,w:287,h:18},
{t:"a two-year term at the Academy. One of ",p:2,x:87,y:772,w:290,h:18},
{t:"the main reasons he was so set on attend-",p:2,x:87,y:790,w:283,h:18},
{t:"ing that art school was to study under the ",p:2,x:87,y:809,w:289,h:18},
{t:"“big-dog” of the time, Thomas Eakins. ",p:2,x:87,y:828,w:293,h:18},
{t:"During that period, Eakins approach was in ",p:2,x:87,y:847,w:287,h:18},
{t:"transition and he became quite the fire-",p:2,x:87,y:865,w:283,h:18},
{t:"brand of controversy – painting nude ",p:2,x:87,y:884,w:295,h:18},
{t:"women without proper, “classical” draping ",p:2,x:87,y:903,w:288,h:18},
{t:"of s",p:2,x:87,y:922,w:24,h:18},
{t:"ets-and e ven more s hocking a",p:2,x:117,y:922,w:210,h:18},
{t:"t t",p:2,x:334,y:922,w:13,h:18},
{t:"he ",p:2,x:354,y:922,w:19,h:18},
{t:"time—treating men and women students ",p:2,x:87,y:940,w:291,h:18},
{t:"with equal respect.  ",p:2,x:87,y:959,w:128,h:18},
{t:"Harmer would venture West and return ",p:2,x:394,y:184,w:292,h:18},
{t:"with fresh ideas and sketched work but ",p:2,x:394,y:203,w:292,h:18},
{t:"ultimately would have to re-enlist in the ",p:2,x:394,y:222,w:291,h:18},
{t:"army when his funds ran low. He joined ",p:2,x:394,y:241,w:290,h:18},
{t:"Troop L of the Sixth Cavalry in 1881 and ",p:2,x:394,y:259,w:289,h:18},
{t:"was assigned to Fort Apache, Arizona. In ",p:2,x:394,y:278,w:289,h:18},
{t:"1883, Harmer joined a filed expedition after ",p:2,x:394,y:297,w:287,h:18},
{t:"the Chiricahua Apaches, led by Geronimo. ",p:2,x:394,y:316,w:288,h:18},
{t:"The expedition led all over the Southwest ",p:2,x:394,y:334,w:289,h:18},
{t:"and created opportunities for the young ",p:2,x:394,y:353,w:292,h:18},
{t:"artist to create numerous sketches and ",p:2,x:394,y:372,w:294,h:18},
{t:"studies which Harmer later turned into ",p:2,x:394,y:391,w:293,h:18},
{t:"watercolors and some of his finest oils. His ",p:2,x:394,y:409,w:287,h:18},
{t:"travels West during the 1880s were in the ",p:2,x:394,y:428,w:289,h:18},
{t:"opposite direction of most of his peers, ",p:2,x:394,y:447,w:292,h:18},
{t:"most who were heading off to Europe and ",p:2,x:394,y:466,w:288,h:18},
{t:"points east. Harmer settled in Mexico in the ",p:2,x:394,y:484,w:287,h:18},
{t:"late 1880s after his stint with the military, ",p:2,x:394,y:503,w:289,h:18},
{t:"traveled north to California. He became ",p:2,x:394,y:522,w:292,h:18},
{t:"familiar with the California coastline and ",p:2,x:394,y:541,w:291,h:18},
{t:"briefly established a studio in San Fran-",p:2,x:394,y:559,w:283,h:18},
{t:"cisco. His time in San Francisco led to an ",p:2,x:394,y:578,w:289,h:18},
{t:"interest in the California’s mission period ",p:2,x:394,y:597,w:291,h:18},
{t:"and he ultimately would leave on a personal ",p:2,x:394,y:616,w:287,h:18},
{t:"journey to study the Franciscan mission ",p:2,x:394,y:634,w:292,h:18},
{t:"trail, sketching feverishly along the way, ",p:2,x:394,y:653,w:292,h:18},
{t:"many showing the missions in their current ",p:2,x:394,y:672,w:287,h:18},
{t:"states of disrepair. One of his studies, ",p:2,x:394,y:691,w:294,h:18},
{t:"which later became one of his most impor-",p:2,x:394,y:710,w:283,h:18},
{t:"tant oil paintings, depicts the Mission San ",p:2,x:394,y:728,w:289,h:18},
{t:"Luis Rey. A painting commissioned, sup-",p:2,x:394,y:747,w:283,h:18},
{t:"posedly, by Mrs. Juan Forster, a descendant ",p:2,x:394,y:766,w:287,h:18},
{t:"of the Del Valle family and is purportedly ",p:2,x:394,y:785,w:289,h:18},
{t:"the first commissioned painting Harmer ",p:2,x:394,y:803,w:293,h:18},
{t:"was paid for. The Forster family was ",p:2,x:394,y:822,w:294,h:18},
{t:"prominent in art circles of the time having ",p:2,x:394,y:841,w:288,h:18},
{t:"participated in what would become another ",p:2,x:394,y:860,w:287,h:18},
{t:"significant painting of the era, that being ",p:2,x:394,y:878,w:290,h:18},
{t:"the famous \"Roping the Bear at Santa Marga-",p:2,x:394,y:897,w:283,h:18},
{t:"rita Rancho of Juan Forster,\" an 1876 oil on ",p:2,x:394,y:916,w:291,h:18},
{t:"canvas by James Walker. (The painting can ",p:2,x:394,y:935,w:288,h:18},
{t:"be seen today as part of the permanent ",p:2,x:394,y:953,w:291,h:18},
{t:"collection of the Denver Art Museum.) ",p:2,x:394,y:972,w:256,h:18},
{t:"Harmer’s l ove o",p:2,x:702,y:185,w:109,h:18},
{t:"f t",p:2,x:817,y:185,w:14,h:18},
{t:"he early history of ",p:2,x:837,y:185,w:142,h:18},
{t:"California led him to meet one of the ",p:2,x:702,y:203,w:276,h:18},
{t:"most important people he would come ",p:2,x:702,y:222,w:275,h:18},
{t:"across, ironically when he was about to ",p:2,x:702,y:241,w:274,h:18},
{t:"leave California to study once again at ",p:2,x:702,y:260,w:276,h:18},
{t:"the Academy in Philadelphia. In 1888, ",p:2,x:702,y:278,w:276,h:18},
{t:"Harmer became fast friends with Charles ",p:2,x:702,y:297,w:272,h:18},
{t:"Lummis. Lummis shared Harmer’s love ",p:2,x:702,y:316,w:275,h:19},
{t:"of the Hispanic culture of the past days ",p:2,x:702,y:334,w:274,h:18},
{t:"of Alta Californa and they both held ",p:2,x:702,y:353,w:277,h:18},
{t:"concerns for the restoration of the Cali-",p:2,x:702,y:372,w:268,h:18},
{t:"fornia Missions   ",p:2,x:702,y:391,w:111,h:18},
{t:"Lummis would go on to be the center of ",p:2,x:702,y:415,w:273,h:18},
{t:"that passion-play and create the ",p:2,x:702,y:434,w:287,h:18},
{t:"“Landmarks Club of California” in 1894 ",p:2,x:702,y:453,w:273,h:18},
{t:"dedicated to the task of rebuilding the ",p:2,x:702,y:472,w:276,h:18},
{t:"missions– and the ethnic romance at-",p:2,x:702,y:490,w:268,h:18},
{t:"tached to them.  Lummis called upon ",p:2,x:702,y:509,w:276,h:18},
{t:"Harmer to assist him with the publica-",p:2,x:702,y:528,w:268,h:18},
{t:"tion “Land Of Sunshine” - a magazine ",p:2,x:702,y:547,w:275,h:18},
{t:"dedicated to the mission task that cele-",p:2,x:702,y:565,w:268,h:18},
{t:"brated and focused on the area’s prose, ",p:2,x:702,y:584,w:274,h:18},
{t:"poetry and art.  Harmer created numer-",p:2,x:702,y:603,w:268,h:18},
{t:"ous illustrations and paintings during this ",p:2,x:702,y:622,w:272,h:18},
{t:"period and of his work Lummis said, ",p:2,x:702,y:640,w:277,h:18},
{t:"“Harmer is particularly and undisputedly ",p:2,x:702,y:659,w:273,h:18},
{t:"the artist of the Apaches and the old-",p:2,x:702,y:678,w:268,h:18},
{t:"time California.” ",p:2,x:702,y:697,w:111,h:18},
{t:"It was Lummis, who early on, introduced ",p:2,x:702,y:721,w:272,h:18},
{t:"Harmer to the Del Valle family, said to ",p:2,x:702,y:740,w:274,h:18},
{t:"be among the last of the area’s old Span-",p:2,x:702,y:759,w:268,h:18},
{t:"ish families to have retained the “old ",p:2,x:702,y:778,w:277,h:18},
{t:"ways” of their culture. Their ranch, Ca-",p:2,x:702,y:796,w:268,h:18},
{t:"mulos would be the inspirational setting ",p:2,x:702,y:815,w:274,h:18},
{t:"for  Helen Hunt Jackson’s book, Ramona. ",p:2,x:702,y:834,w:272,h:18},
{t:"The reenactments and settings would be ",p:2,x:702,y:853,w:273,h:18},
{t:"the subject of many photographs taken ",p:2,x:702,y:871,w:275,h:18},
{t:"joyously by Lummis and became the fuse ",p:2,x:702,y:890,w:272,h:18},
{t:"that launched Harmer into his most im-",p:2,x:702,y:909,w:268,h:18},
{t:"portant period. The subject of old Cali-",p:2,x:702,y:928,w:268,h:18},
{t:"fornia would become the new imagery ",p:2,x:702,y:946,w:276,h:18},
{t:"that would fill Harmer’s work and be-",p:2,x:702,y:965,w:267,h:18},
{t:"come an important window on the past ",p:2,x:702,y:984,w:274,h:18},
{t:"that helped define the vaquero culture of ",p:2,x:702,y:1003,w:272,h:18},
{t:"California, to this day. Harmer’s work, ",p:2,x:702,y:1021,w:276,h:18},
{t:"while widely admired, had yet to see a ",p:2,x:702,y:1040,w:275,h:18},
{t:"wide collector base outside the region.  ",p:2,x:702,y:1059,w:280,h:18},
{t:"With the resurgence of interest in the ",p:2,x:702,y:1078,w:276,h:18},
{t:"vaquero culture and of the era’s horse-",p:2,x:702,y:1096,w:267,h:18},
{t:"manship techniques: Harmer’s work has ",p:2,x:702,y:1115,w:274,h:18},
{t:"found a new and broader audience, far ",p:2,x:702,y:1134,w:275,h:18},
{t:"past the borders of the old Alta Califor-",p:2,x:702,y:1153,w:268,h:18},
{t:"nia vaquero’s world ",p:2,x:702,y:1172,w:130,h:18},
{t:". ",p:2,x:702,y:1196,w:7,h:18},
{t:"“Roping The Bear” ",p:2,x:537,y:1075,w:129,h:18},
{t:"oil on canvas ",p:2,x:557,y:1094,w:88,h:18},
{t:"Size and date,  ",p:2,x:555,y:1118,w:96,h:18},
{t:"unknown. ",p:2,x:567,y:1137,w:69,h:18},
{t:"Page 3 ",p:3,x:909,y:64,w:36,h:12},
{t:"APRI",p:3,x:131,y:64,w:24,h:12},
{t:"L  20",p:3,x:160,y:64,w:23,h:12},
{t:"10 ",p:3,x:190,y:64,w:18,h:12},
{t:". ",p:3,x:124,y:102,w:9,h:20},
{t:"Wild Bill Hickok  from page 1 ",p:3,x:64,y:110,w:277,h:20},
{t:"Jack McCall was ",p:3,x:202,y:150,w:141,h:18},
{t:"caught, tried for ",p:3,x:202,y:169,w:145,h:18},
{t:"the murder of Wild ",p:3,x:202,y:188,w:134,h:18},
{t:"Bill and found “not ",p:3,x:202,y:208,w:134,h:18},
{t:"guilty”.  He left ",p:3,x:202,y:227,w:142,h:18},
{t:"Deadwood and ",p:3,x:202,y:246,w:153,h:18},
{t:"went to Cheyenne ",p:3,x:202,y:265,w:138,h:18},
{t:"where he bragged ",p:3,x:202,y:284,w:139,h:18},
{t:"about killing the most famous gunman ",p:3,x:64,y:303,w:274,h:18},
{t:"in the world.  A deputy U.S. marshal ",p:3,x:64,y:323,w:275,h:18},
{t:"arrested him, and he was tried again for ",p:3,x:64,y:342,w:272,h:18},
{t:"the murder of Wild Bill Hickok and ",p:3,x:64,y:361,w:276,h:18},
{t:"hung in Yankton, Dakota Territory on ",p:3,x:64,y:380,w:275,h:18},
{t:"March 1, 1877. ",p:3,x:64,y:399,w:106,h:18},
{t:"The western frontier was a ruthless ",p:3,x:64,y:418,w:278,h:18},
{t:"place filled with outlaws whose only ",p:3,x:64,y:438,w:276,h:18},
{t:"goal was to have a wild time.  Wild Bill ",p:3,x:64,y:457,w:272,h:18},
{t:"Hickok, with his flamboyant clothes ",p:3,x:64,y:476,w:278,h:18},
{t:"and long blonde hair, controlled these ",p:3,x:64,y:495,w:275,h:18},
{t:"outlaws and eventually killed off those ",p:3,x:64,y:514,w:274,h:18},
{t:"incapable of reform and forced the rest ",p:3,x:64,y:533,w:273,h:18},
{t:"into new avenues of employment.  The ",p:3,x:64,y:553,w:273,h:18},
{t:"frontier could not have developed and ",p:3,x:64,y:572,w:274,h:18},
{t:"progressed without men like Wild Bill ",p:3,x:64,y:591,w:274,h:18},
{t:"Hickok, who took the very precarious ",p:3,x:64,y:610,w:275,h:18},
{t:"occupation of law enforcement, on the ",p:3,x:64,y:629,w:274,h:18},
{t:"turbulent frontier, seriously.  ",p:3,x:64,y:645,w:196,h:22},
{t:"The Lone Ranger Creed ",p:3,x:556,y:118,w:212,h:22},
{t:"I believe that to have a friend, a man must be one. That all men are created equal and ",p:3,x:376,y:146,w:570,h:18},
{t:"that everyone has within himself the power to make this a better world. That God put ",p:3,x:376,y:165,w:572,h:18},
{t:"the firewood there, but that every man must gather and light it himself.  In being pre-",p:3,x:376,y:185,w:566,h:18},
{t:"pared physically, mentally, and morally to fight when necessary for that which is right. ",p:3,x:370,y:204,w:583,h:18},
{t:"That a man should make the most of what equipment he has. That men should live by ",p:3,x:374,y:223,w:574,h:18},
{t:"the rule of what is best for the greatest number.   ",p:3,x:502,y:242,w:327,h:18},
{t:"That sooner or later...somewhere..somehow..we must settle with the world and make ",p:3,x:377,y:261,w:569,h:18},
{t:"payment for what we have taken. That all things change, but the truth, and the truth ",p:3,x:382,y:280,w:559,h:18},
{t:"alone lives on forever. I believe in my Creator, my country , my fellow man.    ",p:3,x:404,y:300,w:526,h:18},
{t:"RECENT TOUR ",p:3,x:786,y:688,w:118,h:18},
{t:"Through out the year we ",p:3,x:747,y:712,w:204,h:18},
{t:"have many schools tour the ",p:3,x:747,y:732,w:199,h:18},
{t:"museum in an effort to ",p:3,x:751,y:751,w:202,h:18},
{t:"promote our educational ",p:3,x:747,y:770,w:212,h:18},
{t:"outreach program. ",p:3,x:747,y:789,w:126,h:18},
{t:"The letter was written by a ",p:3,x:747,y:814,w:199,h:18},
{t:"Peabody School student. ",p:3,x:747,y:833,w:211,h:18},
{t:"We hope you enjoy it as ",p:3,x:747,y:853,w:203,h:18},
{t:"much as we did. ",p:3,x:747,y:872,w:112,h:18},
{t:"FYI Mr. Rattlesnake is none ",p:3,x:747,y:897,w:197,h:18},
{t:"other than our museum ",p:3,x:747,y:916,w:210,h:18},
{t:"President Peter Georgi. ",p:3,x:747,y:936,w:159,h:18},
{t:"For more information on ",p:3,x:747,y:961,w:206,h:18},
{t:"tours contact Angela Bevan ",p:3,x:747,y:980,w:199,h:18},
{t:"our museum coordinator. ",p:3,x:747,y:999,w:209,h:18},
{t:"She does a fine job of ",p:3,x:747,y:1018,w:206,h:18},
{t:"organizing  the tours. ",p:3,x:747,y:1038,w:145,h:18},
{t:"angelabevan@cox.net ",p:3,x:762,y:1088,w:166,h:20},
{t:"The ad below appeared in the 1948 Fiesta Rodeo Program. Dick was a well ",p:3,x:364,y:335,w:587,h:20},
{t:"known and respected horseman in Santa Barbara County. He produced the ",p:3,x:361,y:356,w:594,h:20},
{t:"Fiesta Stock Horse Show and Rodeo in the early 60’s.    1918  - 1979 ",p:3,x:392,y:378,w:532,h:20},
{t:"She signed the letter “Your Peabody Pioneer Natalie” ",p:3,x:259,y:1246,w:434,h:22},
{t:" ",p:4,x:507,y:769,w:5,h:26},
{t:"The Board of Directors met in ",p:4,x:297,y:762,w:202,h:18},
{t:"January of 2010 and approved ",p:4,x:297,y:781,w:198,h:18},
{t:"the following list of Officers ",p:4,x:297,y:799,w:188,h:18},
{t:"and Board Members  ",p:4,x:297,y:818,w:140,h:18},
{t:"Peter Georgi, President ",p:4,x:297,y:856,w:155,h:18},
{t:"Tom Peterson, Vice President ",p:4,x:297,y:880,w:198,h:18},
{t:"John Carlisle, Secretary ",p:4,x:297,y:905,w:153,h:18},
{t:"Angela Miller-Bevan  ",p:4,x:297,y:924,w:140,h:18},
{t:"Don Dawson ",p:4,x:297,y:943,w:92,h:18},
{t:"Ward Goodier ",p:4,x:297,y:961,w:98,h:18},
{t:"Ellen Harte ",p:4,x:297,y:980,w:79,h:18},
{t:"John Henigin ",p:4,x:297,y:999,w:91,h:18},
{t:"Nick Katzenstein ",p:4,x:297,y:1018,w:116,h:18},
{t:"John Parke ",p:4,x:297,y:1036,w:76,h:18},
{t:"Chuck Pressley ",p:4,x:297,y:1055,w:102,h:18},
{t:"George Begg ",p:4,x:297,y:1074,w:88,h:18},
{t:"2010 Carriage Museum Officers and Board Members ",p:4,x:333,y:721,w:583,h:23},
{t:"P.O. Box 1587 ",p:4,x:858,y:532,w:-124,h:20},
{t:"Santa Barbara, CA 93102 ",p:4,x:903,y:511,w:-214,h:20},
{t:"info@carriagemuseum.org ",p:4,x:906,y:490,w:-221,h:20},
{t:"Free Admission ",p:4,x:862,y:447,w:-132,h:20},
{t:"Donations Help Keep Us ",p:4,x:899,y:426,w:-205,h:20},
{t:"Open ",p:4,x:821,y:405,w:-49,h:20},
{t:"Carriage & Western ",p:4,x:917,y:601,w:-164,h:28},
{t:"Art ",p:4,x:716,y:601,w:-39,h:28},
{t:"Museum of S anta Ba",p:4,x:928,y:572,w:-197,h:28},
{t:"rbar a ",p:4,x:719,y:572,w:-52,h:28},
{t:"Established in 1974, the Carriage ",p:4,x:64,y:844,w:194,h:16},
{t:"and Western Art Museum of Santa ",p:4,x:64,y:861,w:206,h:16},
{t:"Barbara is a non-profit organization ",p:4,x:64,y:878,w:211,h:16},
{t:"with the mission to collect, display, ",p:4,x:64,y:895,w:207,h:16},
{t:"and preserve historic horse-drawn ",p:4,x:64,y:912,w:201,h:16},
{t:"vehicles, saddles, and western ",p:4,x:64,y:929,w:175,h:16},
{t:"memorabilia. ",p:4,x:64,y:946,w:79,h:16},
{t:"Museum Information ",p:4,x:754,y:771,w:196,h:23},
{t:"Located in Pershing Park ",p:4,x:754,y:799,w:166,h:18},
{t:"129 Castillo Street ",p:4,x:754,y:824,w:121,h:18},
{t:"P.O. Box 1587 ",p:4,x:754,y:849,w:99,h:18},
{t:"Santa Barbara, CA 93102 ",p:4,x:754,y:874,w:166,h:18},
{t:"805 962- 2353 or 569- 0731 ",p:4,x:754,y:898,w:183,h:18},
{t:"www.carriagemuseum.org ",p:4,x:754,y:917,w:171,h:18},
{t:"FREE ADMISSION ",p:4,x:754,y:967,w:186,h:23},
{t:"Hours 9-3, Mon—Fri ",p:4,x:754,y:996,w:172,h:22},
{t:"Docent tours ",p:4,x:754,y:1024,w:108,h:22},
{t:"Third Sunday of the ",p:4,x:754,y:1053,w:160,h:22},
{t:"month 1– 4 pm ",p:4,x:754,y:1081,w:126,h:22},
{t:"Educational outreach and ",p:4,x:754,y:1110,w:169,h:18},
{t:"docent training programs ",p:4,x:754,y:1134,w:167,h:18},
{t:"available. ",p:4,x:754,y:1159,w:62,h:18},
{t:"Facility rental available. ",p:4,x:754,y:1184,w:168,h:20},
{t:"Coming in the Spring Issue ",p:4,x:512,y:926,w:217,h:21},
{t:"Riding hard with  ",p:4,x:552,y:953,w:141,h:21},
{t:"“ The Pony Express” ",p:4,x:536,y:979,w:169,h:21},
{t:"Outlaws and Lawmen ",p:4,x:533,y:1026,w:174,h:21},
{t:"The Coming of Fiesta ",p:4,x:533,y:1080,w:174,h:21},
{t:"The olden days ",p:4,x:559,y:1100,w:123,h:21},
{t:"Whats new at  ",p:4,x:561,y:1153,w:123,h:23},
{t:"the museum ",p:4,x:566,y:1182,w:110,h:23},
{t:"For facility rental information visit ",p:4,x:399,y:95,w:-294,h:22},
{t:"www.carriagemuseum.org ",p:4,x:366,y:67,w:-227,h:22},
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